Audio Control Turn on Yuval's sonic flow

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Audio Control Turn on Yuval's sonic flow
Audio Control

The Tubular Bones are a series of sculptures characterized by skeletal and monochromatic forms, conceived by the artist as essential and twisted structures reminiscent of tubular bones. These works seem to explore anatomy and the essence of form through a complexity of branching shapes, akin to anatomical studies or drawings of skeletal structures.

The forms of the Tubular Bones develop organically and branch out, evoking a sense of natural growth while also appearing almost mechanical, as if they are a synthesis of biological structure and artificial architecture. Their contortions create sinuous movements, suggesting a tension between strength and fragility, typical of skeletons.

In the process of creating these sculptures, the artist investigates the fundamental structures of life trying to distill the complexity of organic form into essential lines and reduced materials through an aesthetic that is both minimalist and evocative.

Moreover, these sculptures are considered “preparatory” for the creation of the Singing Tubes, suggesting that the Tubular Bones serve as a conceptual framework for a subsequent series, where the skeletal structure evolves into sound-based forms. This thematic connection between the works offers insight into the artist’s creative process, starting with a reflection on form and structure and then moving towards other expressive dimensions.

Massive Sonic Works:

/ˈmæsɪv ˈsɒnɪk wɜːrks/

Large-scale performances using collective participation to create powerful sound masses.

Yuval Avital’s “Massive Sonic Works” or “Opera di Massa Sonora” involves the creation of large-scale performances that utilize collective participation to craft a unique sound experience. These works focus on forming powerful sound masses through the collaboration of numerous performers, exploring new possibilities through sound rituals. The compositions often include graphic visual elements, written music, and easy-to-read instructions to allow interpretation by individuals without prior musical experience. This approach, sometimes involving hundreds of participants, aims to create what can be described as “crowd music.”

Some key works in Avital’s repertoire include:

– GARON (2012): An opera for 45 bass tubas do, percussions, and a crowd of performers.

– KARAGATAN (2013): A composition for 100 gongs and bamboo in the Philippines.

– REKA (2014): Commissioned by the Warsaw Autumn Festival and co-produced by the MiTo festival in Milan, involving traditional singers from unique cultures such as Tibetan, Zulu, Sardinian, Mongolian, and Samarkand traditions.

One of Avital’s significant compositions is MISE EN ABÎME, a milestone work that marks the beginning of his “Massive Sonic Works” series. Premiered in 2011, this composition involves a large ensemble of 100-200 non-musician vocalists, accordions, bass tubas, soprano, bass clarinet, percussions, didgeridoo, and conductors directing the performance in an immersive setup.

Another notable work is URLA, an immersive sonic experience with over 300 performers, showcasing diverse musical traditions in Matera, Italy. This piece combines traditional elements with modern instrumentation, theatrical actions, and innovative technological approaches, reflecting Yuval Avital’s interdisciplinary and transcultural artistic vision.

Yuval Avital’s creations blend complexity, cultural diversity, and technological innovation to create immersive and participatory sonic experiences that push the boundaries of traditional music composition and performance.