Audio Control Turn on Yuval's sonic flow

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Horizon and siren,
in remote waters floats a boat,
the ground is lumpy flows silent,
the sun is red and my gaze burns.
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Audio Control Turn on Yuval's sonic flow
Audio Control

Yuval Avital had been a soloist of classical guitar until 2007, seamlessly combining Eastern and Western traditions, balancing between classical repertoire and contemporary music, while engaging in a multidisciplinary artistic dialogue. Avital’s performances include both written compositions and improvisation, reflecting his deep creative mastery.

Graduating from the Jerusalem Music Academy and having studied under the renowned M° Angelo Gilardino and M° Luigi Biscaldi, Avital initially established himself as a virtuoso soloist of classical guitar. His early career was marked by performances of classical masterpieces in prestigious venues such as the Centre Pompidou in Paris, Palazzo Reale in Milan, and the National Conservatory of China in Beijing. He was also the recipient of numerous world premieres for solo guitar, many composed specifically for him by contemporary composers.

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Massive Sonic Works:

/ˈmæsɪv ˈsɒnɪk wɜːrks/

Large-scale performances using collective participation to create powerful sound masses.

Yuval Avital’s “Massive Sonic Works” or “Opera di Massa Sonora” involves the creation of large-scale performances that utilize collective participation to craft a unique sound experience. These works focus on forming powerful sound masses through the collaboration of numerous performers, exploring new possibilities through sound rituals. The compositions often include graphic visual elements, written music, and easy-to-read instructions to allow interpretation by individuals without prior musical experience. This approach, sometimes involving hundreds of participants, aims to create what can be described as “crowd music.”

Some key works in Avital’s repertoire include:

– GARON (2012): An opera for 45 bass tubas do, percussions, and a crowd of performers.

– KARAGATAN (2013): A composition for 100 gongs and bamboo in the Philippines.

– REKA (2014): Commissioned by the Warsaw Autumn Festival and co-produced by the MiTo festival in Milan, involving traditional singers from unique cultures such as Tibetan, Zulu, Sardinian, Mongolian, and Samarkand traditions.

One of Avital’s significant compositions is MISE EN ABÎME, a milestone work that marks the beginning of his “Massive Sonic Works” series. Premiered in 2011, this composition involves a large ensemble of 100-200 non-musician vocalists, accordions, bass tubas, soprano, bass clarinet, percussions, didgeridoo, and conductors directing the performance in an immersive setup.

Another notable work is URLA, an immersive sonic experience with over 300 performers, showcasing diverse musical traditions in Matera, Italy. This piece combines traditional elements with modern instrumentation, theatrical actions, and innovative technological approaches, reflecting Yuval Avital’s interdisciplinary and transcultural artistic vision.

Yuval Avital’s creations blend complexity, cultural diversity, and technological innovation to create immersive and participatory sonic experiences that push the boundaries of traditional music composition and performance.