Audio Control Turn on Yuval's sonic flow

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Audio Control Turn on Yuval's sonic flow
Audio Control

The Sirene sculptures, created for Il Mostrario Parte I in collaboration with the Scenography Workshops of the Teatro Regio di Parma, are icon-sonic works characterized by an iron structure featuring a fish tail and a conical body, typical of the siren figure. In this context, the myth of the predatory siren is subverted: no longer a stereotypical representation of monstrous femininity, but rather a free and ethereal figure.

The artwork reinterprets the mythological siren, stripping away her negative traits and presenting her in a new light, akin to the angelic chorus of the young girls from the Teatro Regio’s voci bianche (children’s choir), who lend their voices to the sculptures. This choice emphasizes a symbolic transformation, where the sirens are no longer fearsome creatures but harmonious entities, representing purity and freedom.

The result is a conceptual connection between art, myth, and contemporary themes, intertwining ideas of regeneration, femininity, and liberation.

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Massive Sonic Works:

/ˈmæsɪv ˈsɒnɪk wɜːrks/

Large-scale performances using collective participation to create powerful sound masses.

Yuval Avital’s “Massive Sonic Works” or “Opera di Massa Sonora” involves the creation of large-scale performances that utilize collective participation to craft a unique sound experience. These works focus on forming powerful sound masses through the collaboration of numerous performers, exploring new possibilities through sound rituals. The compositions often include graphic visual elements, written music, and easy-to-read instructions to allow interpretation by individuals without prior musical experience. This approach, sometimes involving hundreds of participants, aims to create what can be described as “crowd music.”

Some key works in Avital’s repertoire include:

– GARON (2012): An opera for 45 bass tubas do, percussions, and a crowd of performers.

– KARAGATAN (2013): A composition for 100 gongs and bamboo in the Philippines.

– REKA (2014): Commissioned by the Warsaw Autumn Festival and co-produced by the MiTo festival in Milan, involving traditional singers from unique cultures such as Tibetan, Zulu, Sardinian, Mongolian, and Samarkand traditions.

One of Avital’s significant compositions is MISE EN ABÎME, a milestone work that marks the beginning of his “Massive Sonic Works” series. Premiered in 2011, this composition involves a large ensemble of 100-200 non-musician vocalists, accordions, bass tubas, soprano, bass clarinet, percussions, didgeridoo, and conductors directing the performance in an immersive setup.

Another notable work is URLA, an immersive sonic experience with over 300 performers, showcasing diverse musical traditions in Matera, Italy. This piece combines traditional elements with modern instrumentation, theatrical actions, and innovative technological approaches, reflecting Yuval Avital’s interdisciplinary and transcultural artistic vision.

Yuval Avital’s creations blend complexity, cultural diversity, and technological innovation to create immersive and participatory sonic experiences that push the boundaries of traditional music composition and performance.