Audio Control Turn on Yuval's sonic flow

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MOTHER
- pose: Crossing hands to the chest.
- movement: still.
- sound: whisper “mother” OR a synonym or a nickname of your father in your
own native language (and add few words in language or non language to her
heart).
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Audio Control Turn on Yuval's sonic flow
Audio Control

For Bass clarinet, video, tape & live electronics
ClarinetFest, Conde Duque Cultural Center, Madrid, Spain, University of Rio de Janeiro, Brazil,, Eterotopie Festival Palazzo Te, Mantova, Festival 5 giornate, Teatro Verdi Milan.
Performing: Paolo de Gaspari

Sky of Jerusalem. A contradictory canvas for prayers, tears, enlightenment, hate.
Chaining skies.
Changing skies.
From red to grey to light blue to red again.
Birds in the sky like a wired score
a reflection of the soil
below
and its habitants
moving up and down
blocked,
frozen,
then very fast
frightening,
then frightened
grieving,
then looking for a kill
pointing up
tension
and reliving down.
It is a metaphor without a clear subject
It is a metaphysical equation of the daily
It is a prayer and research for
the meaning of all this.

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Massive Sonic Works:

/ˈmæsɪv ˈsɒnɪk wɜːrks/

Large-scale performances using collective participation to create powerful sound masses.

Yuval Avital’s “Massive Sonic Works” or “Opera di Massa Sonora” involves the creation of large-scale performances that utilize collective participation to craft a unique sound experience. These works focus on forming powerful sound masses through the collaboration of numerous performers, exploring new possibilities through sound rituals. The compositions often include graphic visual elements, written music, and easy-to-read instructions to allow interpretation by individuals without prior musical experience. This approach, sometimes involving hundreds of participants, aims to create what can be described as “crowd music.”

Some key works in Avital’s repertoire include:

– GARON (2012): An opera for 45 bass tubas do, percussions, and a crowd of performers.

– KARAGATAN (2013): A composition for 100 gongs and bamboo in the Philippines.

– REKA (2014): Commissioned by the Warsaw Autumn Festival and co-produced by the MiTo festival in Milan, involving traditional singers from unique cultures such as Tibetan, Zulu, Sardinian, Mongolian, and Samarkand traditions.

One of Avital’s significant compositions is MISE EN ABÎME, a milestone work that marks the beginning of his “Massive Sonic Works” series. Premiered in 2011, this composition involves a large ensemble of 100-200 non-musician vocalists, accordions, bass tubas, soprano, bass clarinet, percussions, didgeridoo, and conductors directing the performance in an immersive setup.

Another notable work is URLA, an immersive sonic experience with over 300 performers, showcasing diverse musical traditions in Matera, Italy. This piece combines traditional elements with modern instrumentation, theatrical actions, and innovative technological approaches, reflecting Yuval Avital’s interdisciplinary and transcultural artistic vision.

Yuval Avital’s creations blend complexity, cultural diversity, and technological innovation to create immersive and participatory sonic experiences that push the boundaries of traditional music composition and performance.