Audio Control Turn on Yuval's sonic flow

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Audio Control Turn on Yuval's sonic flow
Audio Control

Solo exhibition

curated by Giorgio de Finis and co-curated by Fabio Benincasa, Stefania Crobe, Michele Marinaccio, Flavia Matitti, Roberta Melasecca, Francesco Saverio Teruzzi, Luca Valerio
Macro Asilo, MACRO Museum of Contemporary Art Rome, Italy – 1 November – 1 December, 2019

Postcards from Rome is a three phases process of collection, involvement, stimulation, co-creation and composition, using a stratification of different languages to create a territorial chorality comprehensive of hundreds of voices and faces from Rome merged into a huge “meta-choir” that recreate a sonic image of Rome.

The final stage of Postcards from Rome presents all the material collected by Avital during the year long process through icon-sonic artwork divided into 7 chapters that recall the 7 Lightbox scores inside the exhibition. Each scene has been processed in terms of image and sound and related to the others up to a maximum of 9 scenes simultaneously.

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Massive Sonic Works:

/ˈmæsɪv ˈsɒnɪk wɜːrks/

Large-scale performances using collective participation to create powerful sound masses.

Yuval Avital’s “Massive Sonic Works” or “Opera di Massa Sonora” involves the creation of large-scale performances that utilize collective participation to craft a unique sound experience. These works focus on forming powerful sound masses through the collaboration of numerous performers, exploring new possibilities through sound rituals. The compositions often include graphic visual elements, written music, and easy-to-read instructions to allow interpretation by individuals without prior musical experience. This approach, sometimes involving hundreds of participants, aims to create what can be described as “crowd music.”

Some key works in Avital’s repertoire include:

– GARON (2012): An opera for 45 bass tubas do, percussions, and a crowd of performers.

– KARAGATAN (2013): A composition for 100 gongs and bamboo in the Philippines.

– REKA (2014): Commissioned by the Warsaw Autumn Festival and co-produced by the MiTo festival in Milan, involving traditional singers from unique cultures such as Tibetan, Zulu, Sardinian, Mongolian, and Samarkand traditions.

One of Avital’s significant compositions is MISE EN ABÎME, a milestone work that marks the beginning of his “Massive Sonic Works” series. Premiered in 2011, this composition involves a large ensemble of 100-200 non-musician vocalists, accordions, bass tubas, soprano, bass clarinet, percussions, didgeridoo, and conductors directing the performance in an immersive setup.

Another notable work is URLA, an immersive sonic experience with over 300 performers, showcasing diverse musical traditions in Matera, Italy. This piece combines traditional elements with modern instrumentation, theatrical actions, and innovative technological approaches, reflecting Yuval Avital’s interdisciplinary and transcultural artistic vision.

Yuval Avital’s creations blend complexity, cultural diversity, and technological innovation to create immersive and participatory sonic experiences that push the boundaries of traditional music composition and performance.