Audio Control Turn on Yuval's sonic flow

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Audio Control Turn on Yuval's sonic flow
Audio Control

VALLE DI BLENIO, Switzerland, 2017
Photographic series

Foreign Bodies is a crossed-media art opus investigating the detachment between man and nature, using the mediums of sound, video, photography and performance, involving chosen dancers and carefully selected territories and landscapes. In opposition to the medical term, the “foreign body” in this context is the human body, which intrudes, violates and renders nature artificial, losing consequently its oneness with it, becoming an external element outside the natural realm. In Foreign Bodies the human figure, placed in the purity of nature, becomes the inversion of harmony around itself in a shape of a tense and trembling sculpture. Lonely figures, animalistic, mechanic, blending and disturbing at the same time. Not an utopic dancing but a monologue of tension, loss, and confusion. Foreign Bodies could be understood also as a total exile.

Dancers Foreign Bodies N.1: Ornella Balestra, Stefania Ballone, Sarah Lisette Chiesa, Sandra Klimek, Anita Lorusso, Marta Mazzoleni, Lauren Okadigbo

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Massive Sonic Works:

/ˈmæsɪv ˈsɒnɪk wɜːrks/

Large-scale performances using collective participation to create powerful sound masses.

Yuval Avital’s “Massive Sonic Works” or “Opera di Massa Sonora” involves the creation of large-scale performances that utilize collective participation to craft a unique sound experience. These works focus on forming powerful sound masses through the collaboration of numerous performers, exploring new possibilities through sound rituals. The compositions often include graphic visual elements, written music, and easy-to-read instructions to allow interpretation by individuals without prior musical experience. This approach, sometimes involving hundreds of participants, aims to create what can be described as “crowd music.”

Some key works in Avital’s repertoire include:

– GARON (2012): An opera for 45 bass tubas do, percussions, and a crowd of performers.

– KARAGATAN (2013): A composition for 100 gongs and bamboo in the Philippines.

– REKA (2014): Commissioned by the Warsaw Autumn Festival and co-produced by the MiTo festival in Milan, involving traditional singers from unique cultures such as Tibetan, Zulu, Sardinian, Mongolian, and Samarkand traditions.

One of Avital’s significant compositions is MISE EN ABÎME, a milestone work that marks the beginning of his “Massive Sonic Works” series. Premiered in 2011, this composition involves a large ensemble of 100-200 non-musician vocalists, accordions, bass tubas, soprano, bass clarinet, percussions, didgeridoo, and conductors directing the performance in an immersive setup.

Another notable work is URLA, an immersive sonic experience with over 300 performers, showcasing diverse musical traditions in Matera, Italy. This piece combines traditional elements with modern instrumentation, theatrical actions, and innovative technological approaches, reflecting Yuval Avital’s interdisciplinary and transcultural artistic vision.

Yuval Avital’s creations blend complexity, cultural diversity, and technological innovation to create immersive and participatory sonic experiences that push the boundaries of traditional music composition and performance.