Audio Control Turn on Yuval's sonic flow

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Audio Control Turn on Yuval's sonic flow
Audio Control

Murano glass sculptures, 2022
Created in dialogue with Lucio Bubacco

For Mostrario Part I, the first chapter of the Mostrario held at the Teatro Regio di Parma as part of the Bestiary of the Earth, the project of the year for the Reggio Parma Festival 2022, Avital imagined six scenarios through which the spectator could move to discover the staging and contemporary reinterpretation of monstrous and fantastic figures he had created. Of these scenarios, one is Il Coro degli Uccelli (The Choir of Birds), which unravels along the halls of the theatre adjacent to the ridotto and consists of an installation composed of the sculptures Birds created in dialogue with the Murano master glassmaker Lucio Bubacco, displayed in illuminated showcases, alongside the presence of flutists who, wandering through the halls, perform a flute score by Avital, Dindum (2010-2016).

The Birds have been created in dialogue with Lucio Bubacco, a master glassmaker from Murano.

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Massive Sonic Works:

/ˈmæsɪv ˈsɒnɪk wɜːrks/

Large-scale performances using collective participation to create powerful sound masses.

Yuval Avital’s “Massive Sonic Works” or “Opera di Massa Sonora” involves the creation of large-scale performances that utilize collective participation to craft a unique sound experience. These works focus on forming powerful sound masses through the collaboration of numerous performers, exploring new possibilities through sound rituals. The compositions often include graphic visual elements, written music, and easy-to-read instructions to allow interpretation by individuals without prior musical experience. This approach, sometimes involving hundreds of participants, aims to create what can be described as “crowd music.”

Some key works in Avital’s repertoire include:

– GARON (2012): An opera for 45 bass tubas do, percussions, and a crowd of performers.

– KARAGATAN (2013): A composition for 100 gongs and bamboo in the Philippines.

– REKA (2014): Commissioned by the Warsaw Autumn Festival and co-produced by the MiTo festival in Milan, involving traditional singers from unique cultures such as Tibetan, Zulu, Sardinian, Mongolian, and Samarkand traditions.

One of Avital’s significant compositions is MISE EN ABÎME, a milestone work that marks the beginning of his “Massive Sonic Works” series. Premiered in 2011, this composition involves a large ensemble of 100-200 non-musician vocalists, accordions, bass tubas, soprano, bass clarinet, percussions, didgeridoo, and conductors directing the performance in an immersive setup.

Another notable work is URLA, an immersive sonic experience with over 300 performers, showcasing diverse musical traditions in Matera, Italy. This piece combines traditional elements with modern instrumentation, theatrical actions, and innovative technological approaches, reflecting Yuval Avital’s interdisciplinary and transcultural artistic vision.

Yuval Avital’s creations blend complexity, cultural diversity, and technological innovation to create immersive and participatory sonic experiences that push the boundaries of traditional music composition and performance.