Displaying items by tag: press
Monday, 27 February 2017 14:03
Corriere della Sera, Italy, August 2014
«The sonic people of Yuval Avital (...) a visionary work commissioned by the prestigious Warsaw Autumn Festival...»
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Monday, 27 February 2017 14:02
Corriere della Sera - Corriere musicale magazine November 2013 Authors Cecilia Malatesta & Francesco Fusaro
"...a multi-faced composer with a taste for true experimentation...a volcano that erupts once again"
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Monday, 27 February 2017 14:00
Various journals (UK, USA, Russia, Brazil, Italy), Noise for Syd premiere, November 2013
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Monday, 27 February 2017 13:59
La Repubblica Sera magazine February 21 2013 Author Mariella Tanzarella
"...this is a global music concert, an universal language that everybody could understand and love..."
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Monday, 27 February 2017 13:58
Vanity Fair magazine, January 2013 Author Piera Anna Franini
"arriving the most surreal show of the year : OTOT by Avital"
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Monday, 27 February 2017 13:54
Il Corriere daily, January 2013 author Maurizio Pratelli
"Yuval Avital is a fascinating musician that succeeding to transmit his passion with a disarming transparency"
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Monday, 27 February 2017 13:48
Insound magazine december 2012, Author Piero Chianura - interview regarding Unfolding Space
"...An ambitious project which unites persons of undoubted scientific and artistic value"
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Monday, 27 February 2017 13:44
Style magazine october 2012, Author Marta Calcagno
"Cosmic energy, pulses of stars, electromagnetic radiations becomes a choir and through the music renders the perception of the Deep Space….the energy becomes music, the scientific and cosmic material becomes sound."
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Monday, 27 February 2017 13:38
ABITARE, the Yuval avital's 45 tubas 25 January 2012
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Monday, 27 February 2017 13:37
With Wisam Gibran, Amadeus (Italy’s Classical Music Magazine) Foundation, 23 July 2012 by Maurice Cohen
"...the performance-concert of Yuval and Wisam held in the 900° museum of Milan during their Italian tour, donated quite a rare experience to the audience…in a nested and vivid dialogue, they explore the entire range of possibilities offered by their instrument, including the intelligent and desecrate use of live electronics…a large and heterogeneous audience has been led in a journey of capable and well proportioned (musical) storytelling, for almost two hours of high quality contemporary music - never feeling annoyed or tired by too long or too complex ideas; in fact the audience answered the musician with long and well-deserved applauses…"
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